Autonomy Lost and Regained: The Ukrainian Orthodox Metropolia of Kyiv, 1633-2019Main MenuIntroductionOverviewExarch of the Apostolic Throne(before 1685)Autonomy Lost(1685 to 1905)The Struggle for Autocephaly(1905 to 2019)the Ukrainian History and Education Centerb536a53657e04c4edda7414158720b005f01afa8This exhibition was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities or the New Jersey Council for the Humanities.
12021-04-26T20:58:45-04:00Michael Andrecb47dc81430ec8a9df031d1883b5156df4684c67021plain2021-04-26T20:58:45-04:00Michael Andrecb47dc81430ec8a9df031d1883b5156df4684c670The word "Rossiia", which would be translated as "Russia" if it occurred in documents from Tsar Peter I's reign or later, is more properly translated in this text from the Polish-Lithuanian Commonwealth as "Rus'".
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1media/kosiv-antimension-small.jpg2021-03-12T14:37:58-05:00Antimension of Sylvester Kosov, circa 165028plain2021-05-18T16:52:37-04:00Woodblock print on linen (14 in × 19.5 in) UHEC Patriarch Mstyslav Museum Permanent Collection
While most antimensia have some variant of the icon depicting the Deposition in the Tomb, this antimension is quite unusual in that its central image is derived from the icon form known as Extreme Humility or Man of Sorrows, for which there is some precedent in Greek antimensia. Here, it is rendered as a beautiful Baroque woodcut.
It is entirely possible that one of the woodcut artists who created the images in Petro Mohyla's 1646 Trebnyk was also responsible for this print.
Text transcription
Б[о]ж[ес]твенный и с[вя]щенный олтаръ Г[оспод]а Б[ог]а и Сп[а]са н[а]шегѡ ИІ[су]са Х[рист]а, ѡс[вя]щен бл[а]г[ода]тію Все[свя]та[го] и житвотворяща[го] д[у]ха: рукодѣстве[н] же й бл[агосло]вен преѡс[вя]щен[н]ым Г[о]спо]д[и]но[мъ] ѡ[т]це[м] Си[л]вестро[м] Косово[м] Правосла[вним] архі[е]п[иско]пом Митрополито[м] Кіе[вскым] Гали[ц]ки[м] и всея Рѡссіи Еѯа[р]хою с[вя]тѣйша[го] Ап[осто]лскагѡ Ѳрѡну Кѡ[н]ста[н]тінопо[л]скогѡ да Лѵтургисается на немъ в Храмѣ [...] Сеже бы[стъ] за Де[р]жавы На[и]яснѣша[го] Коро[ля] По[лского] Іѡа[н]на Казимера: в лѣ[то]: ѿ вопло[щенію] X[рист]a 16[?] М[ѣсяца] […] [additional illegible handwritten text]
Text translation
The Holy and Sanctified Altar of our Lord God and Savior Jesus Christ, sanctified by the grace of the All-holy and Life-creating Spirit. By the hand and blessing of the Most Holy Master Father Sylvester Kosov, Orthodox Archbishop [and] Metropolitan of Kyiv, Halych, and all Rus', exarch of the most holy Apostolic Throne of Constantinople. For the serving of the Liturgy in the temple [...]. This being under the rule of the Most Glorious King of Poland John Casimir in the year 16[?] from the Incarnation of Christ in the month [...] [additional illegible handwritten text]
1media/balaban-thumb.jpgmedia/balaban-small.jpg2021-03-12T14:39:35-05:00Antimension of Dionisii (Balaban), 166123plain2021-05-17T10:59:29-04:00Woodblock print on linen (14 in × 16 in) UHEC Patriarch Mstyslav Museum Permanent Collection
Unlike the antimension of Sylvester Kosov, this antimension has the much more traditional image of the Deposition in the Tomb. And even though it was made approximately a decade later, the woodblock printing on this antimension is of much poorer quality.
This is not surprising given the circumstances. After the Pereiaslav Agreement, forces under the control of Moscow had taken over Kyiv, and Balaban was forced to relocate west of the Dnipro River into Polish-controlled territory, so he probably would not have had access to the same skilled artists and artisans that he would have had in Kyiv.
Text transcription
Б[о]ж[ес]твенный и с[вя]щенний олтаръ Г[оспод]а Б[ог]а и Сп[а]са н[а]шего ИІ[су]са Х[рист]а, ѡс[вя]щенъ бл[а]г[ода]тію всес[вя]т[а]го и житвотворящагѡ Д[у]ха: рукодѣствене й бл[агосло]ве[н] Б[о]г[о]любивы[м] Г[оспо]дино[м] Ѿце[м] Диѡнисіемъ Нахорохмъ[?] Балабано[м] М[и]л[ис]тію Б[о]жіею Преѡс[вя]щенний архиепископомъ Митрополитомъ Кіе[в]ски[м] Гали[ц]кимъ и всея рѡссіи Еѯархою с[вятѣйшаго] Апостолскагѡ Ѳрѡну Кo[н]ста[н]тінопо[л]ского: Ахимандритомъ Печерскимъ. При [?] Короля полского Іѡана Казимира. Лѣта Бытія міра 71[69] ѿ воплоще[ніа] X[ристо]вa 1661 М[ися]ца [...]
Text translation
The Holy and Sanctified Altar of our Lord God and Savior Jesus Christ, sanctified by the grace of the All-holy and Life-creating Spirit. By the hand and blessing of the God-loving Master Father Dionisii [?] Balaban, His Eminence (by the grace of God) Archbishop [and] Metropolitan of Kyiv, Halych, and all Rus', exarch of the Most Holy Apostolic Throne of Constantinople, Archimandrite of [the Monastery of] the Caves. Under [?] King of Poland John Casimir. In the year 71[69] from the creation of the world, and from the Incarnation of Christ 1661 in the month [...]